Art historian and curator Agnese Reginaldo shares her experience of creating a public engagement programme for the exhibition Blood and Bones: Living with Cancer (UCLH until 24thApril 2019). ‘If I am going to have to be ill, I may as well […]
Kimiko Tobimatsu shares her experience navigating breast cancer as a young, queer, mixed-race woman, explored in her forthcoming graphic memoir Kimiko Does Cancer. This article is based on a presentation delivered at the Curating Health Conference organised by The Nordic […]
Jason Bate reviews Suzannah Biernoff’s Portraits of Violence: War and the Aesthetics of Disfigurement (University of Michigan Press, 2017). In Portraits of Violence: War and the Aesthetics of Disfigurement, Suzannah Biernoff presents a cultural history of medicine through the richness of […]
Ilaria Grando responds to Tate Modern’s new display, “Intimacy, Activism, and AIDS”. Two things capture my attention as I enter “Intimacy, Activism, and AIDS” at Tate Modern: one, the intimidating emptiness of the centre of the room, and two, the […]
Daria Hartmann reviews the German premiere of Claire Cunningham’s Guide Gods at Tanzhaus Düsseldorf, November 2018. In Guide Gods, the Scottish dance choreographer and disability activist Claire Cunningham uses a potent mix of dance, storytelling, music and audience participation to create […]
