‘Mrs Average of the UK’ Makes Something of Her Menopause
Arlene Jackson’s reflective cyanotype prints allow the sun’s rays to transform a body dehumanised by sexist medical disbelief into ‘something extraordinary’.
Arlene Jackson’s reflective cyanotype prints allow the sun’s rays to transform a body dehumanised by sexist medical disbelief into ‘something extraordinary’.
Kate Marks and Tracey Falcon’s polyvocal creative text, with artwork and audio, explores spinal cord injury and movement within the human and non-human environment.
A quiet practice of attention, belonging, and rest in urban parks from Yewande Okuleye.
Sanjana Kumar uses her experience of the 2025 Queer Methodologies in Medical Humanities PhD School as a lens through which to re-examine her own research practices as a psychodrama therapist and arts-based researcher in Kerala, India.
Lola Dickinson interrogates her role as a historian within the medical humanities, questioning the functions of power, positionality, and perspective in her work.
Artists Alec Finlay, Katie MacLachlan and Brighid Ó Dochartaigh reflect on art as witness to erased realities (part two of two).
Three artists with Long Covid discuss their process of creative recuperation.
Swati Joshi visits ‘Synaptic Odyssey’, an exhibition themed around cognition and art at Ahmedabad’s Iram Gallery in Gujarat, India
In the fourth post of our Waiting Times series, Laura Salisbury and Lisa Baraitser reflect on Ruairí Corr and Deborah Robinson’s short film: Time Being. Time Being – a film commissioned by Waiting Times
In the final part of Lea Cooper’s series about zines in the medical humanities, we move through the Hallway and out onto the Balcony to consider zines, libraries and research.