This mini-series of short essays by Jane Hibberd, Andy Hibberd, Winifred Lee and Emily Player offers four perspectives on an innovative example of embedding medical humanities within the undergraduate curriculum for medical students at
This mini-series of short essays by Jane Hibberd, Andy Hibberd, Winifred Lee and Emily Player offers four perspectives on an innovative example of embedding health humanities within the undergraduate curriculum for medical students at
This mini-series of short essays by Jane Hibberd, Andy Hibberd, Winifred Lee and Emily Player offers four perspectives on an innovative example of embedding medical humanities within the undergraduate curriculum for medical students at
This mini-series of short essays by Jane Hibberd, Andy Hibberd, Winifred Lee and Emily Player offers four perspectives on an innovative example of embedding health humanities within the undergraduate curriculum for medical students at
Early artistic responses to Covid-19 offer fascinating insights into key issues arising from the crisis, argue ART/DATA/HEALTH researchers Elodie Marandet, Harriet Barratt, and Aristea Fotopoulou.
Artist Dawn Woolley finds inspiration in the work of Audrey Amiss, held by Wellcome Library.
How is the relationship between private illness and public spectacle negotiated within the context of contemporary art? Poet Alice Hill Woods and artist Emelia Kerr Beale explore how fine art practices can reshape our engagement with, and understanding of, mental health issues.
Liz Atkin is a visual artist, educator, and mental health advocate. Her work, which has recently been acquired by Wellcome Collection, explores the lived experience of compulsive skin-picking, a body-focused repetitive behaviour disorder. Fiona Johnstone, visual culture editor at The Polyphony, visited Atkin in her studio in south London.
Shanali Perera is a self-taught digital artist based in Manchester, and advocate for the use of creativity to cope with long-term conditions. She took up digital art following early retirement due to a rare
Ilaria Grando responds to Tate Modern’s new display, “Intimacy, Activism, and AIDS”. Two things capture my attention as I enter “Intimacy, Activism, and AIDS” at Tate Modern: one, the intimidating emptiness of the centre
