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Does a Face Have Ears?
Hope, expectation and interoception (Review)
Artisans of the Surface in Early Modern Europe
What our bodies are telling us (Review)
Does a Face Have Ears?
Hope, expectation and interoception (Review)
Artisans of the Surface in Early Modern Europe
What our bodies are telling us (Review)
Essays
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Reviews on The Polyphony
Welcome to The Polyphony
Introducing our Associate Editors
Introducing our Regular Columns
Essays
Gartnavel Royal: An Asylum and an Inspiration
A Dry and Silent World: Part 4, ‘Interactions with non-scientists’.
A Dry and Silent World: Part 3, ‘Translating the material into visual form’.
A Dry and Silent World: Part 2, ‘Pretty experiments in the laboratory’.
Columns
Getting mental illness right in gaming
Trauma, Therapeutic Expression, and the Dave Matthews Band
Polyphoney? One creative practitioner’s precarious privilege in the medical humanities
Reviews
The Madness of Fear: A History of Catatonia
Does a Face Have Ears?
Hope, expectation and interoception (Review)
Artisans of the Surface in Early Modern Europe
