‘Breast Cancer Inside Out’: Book Review
Gita Ralleigh reviews , Breast Cancer Inside Out: Bodies, Biographies & Beliefs, edited by Kimberly R. Myers (Peter Lang, 2021) In Breast Cancer Inside Out, Kimberly Myers, a medical humanities scholar who
Gita Ralleigh reviews , Breast Cancer Inside Out: Bodies, Biographies & Beliefs, edited by Kimberly R. Myers (Peter Lang, 2021) In Breast Cancer Inside Out, Kimberly Myers, a medical humanities scholar who
In a hybrid essay, artist and researcher Sarah Scaife reflects on her prototyping of a medicine, which she calls Fluxambol.
Gillian Shirreffs uses narrative nonfiction to better understand the new medical situation in which she finds herself.
Elizabeth Coleman argues that it is time to queer the gynaecological cancer narrative. There are no narratives on queer women and gynaecological cancer. This is what I discovered as I trawled the internet looking
The Polyphony invited Agnes Arnold-Forster and Will Viney to review Anne Boyer’s cancer memoir, The Undying (2019), and to respond to each other’s reviews. Their reviews were published earlier this week; their responses to each other are below.
The Polyphony asked two readers, Agnes Arnold-Forster (Research and Engagement Fellow, Surgery and Emotion, University of Roehampton) and Will Viney (Research Associate in the Department of Anthropology, Goldsmiths, UoL), to review Anne Boyer’s highly-publicised 2019 cancer memoir “The Undying”, and to respond to each other’s reviews. In this second of a three-part series, Will Viney considers Boyer’s text in the context of recent developments in ‘personalised’ cancer care.
The Polyphony asked two readers, Agnes Arnold-Forster (Research and Engagement Fellow, Surgery and Emotion, University of Roehampton) and Will Viney (Research Associate in the Department of Anthropology, Goldsmiths, UoL), to review Anne Boyer’s highly-publicised 2019 cancer memoir “The Undying”, and to respond to each other’s reviews. In this first of a three-part series, Agnes Arnold-Forster discovers a text that explores poverty, politics and the provision of healthcare, and offers a critique of individualised illness narratives.