Ana Minozzo reviews the first edition of an international online conference that explored socially engaged psychoanalytic practices from across the world. The event was hosted by the Freud Museum in London during the weekend
What happens to the ‘patient’s voice’ when it participates in the creation of biocapital via digital health platforms? What is the significance of Olivia Banner’s concept of ‘communicative biocapitalism’ in the era of the Covid-19
Paige Sweet and Danielle Giffort examine the cultural work involved in the production, circulation and validation of Covid-19 knowledge, via an analysis of the abject figure of the ‘bad expert’. Paige: Danielle and
How should thinkers across the disciplines conceptualise emotional life? What role do theories and histories of affect play in how we conceptualise cultural analysis, or in how we think about aesthetics? Birgit Breidenbach reviews Ruth
How can trainee health professionals learn from the ‘messy reality of actual clinical practice’? Wendy Lowe reviews a new book exploring what learning is, or should be, in medical education. Moments of Rupture combines
How do we convey an experience of pain to others? This question – which has long fascinated scholars in the medical humanities – is addressed in a new book, reviewed here by Susanne Main. Communicating Pain
In this essay exploring parallels and distinctions between ‘COVID-19 time’ and ‘tuberculosis time’, Madeline Potter explores the resonances between the temporality of illness and that of lockdown, as well as reflecting on the impact of prolonged
How does the language we use shape how we think about disability? In Deborah Thorpe’s review of Intellectual Disability: A Conceptual History, 1200-1900 (2018), the history of intellectual disability emerges as one of contested terms.
What can the act of anatomical drawing contribute to medical education? Highlighting the connections between artistic practice and the hands-on art of medicine, Sabina Dosani reviews ‘Art and Anatomy: Drawings’, edited by Laura Ferguson and Katie Grogan (2018).
