Elena Carter and Anthony Day, archivists at Wellcome Collection, give a candid account of their work cataloguing the ‘profoundly personal’ archive of artist and mental health survivor Audrey Amiss. As archivists, we spend our
In this second post responding to The Recovery Narrative: Politics and Possibilities of a Genre, Michael Flexer discusses the capitalist content and form of recovery narratives. We live in a golden age of recovery.
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