The seventh of our Waiting Times takeover series is a collaborative review of Martin O’Brien’s performance and lecture at the Horse Hospital in London. Ed Garland focusses on sonic experience while Amy Grandvoinet takes
Lucy Weir reviews Rated RX: Sheree Rose with and after Bob Flanagan (Ohio State University Press, 2020) edited by Yetta Howard. One of art history’s most frustrating tropes is that of its invisible woman. Linda
Playwright and filmmaker Ash Kotak reviews Martin O’Brien’s performance installation ‘The Last Breath Society (Coughing Coffin)’. Deciding to go to ‘The Last Breath Society (Coughing Coffin)’ at the Institute of Contemporary Arts in London, created
Louisa Hann reviews Robb Hernández’s Archiving an Epidemic: Art, AIDS, and the Queer Avant-Garde (New York: New York University Press, 2019). The broad and ever-expanding domain of HIV/AIDS arts and performance scholarship has faced
Ash John discusses tensions between representing sexual desire and the moral histories of HIV/AIDS in contemporary AIDS theatre. What we think of now as the AIDS Crisis has become both a cultural and historical
Lucy Weir explores the gendered nature of critical responses to on-stage violence I am an art historian by training, though my expertise lies in performance, from dance and theatre to live art. Throughout my
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.