Samuel Ernest reflects on HIV/AIDS and the study of the Catholic Church since the 1980s In Christian theology, HIV/AIDS has been considered primarily within the context of ecclesiology, or the study of the church,
Donna McCormack and Ingrid Young discuss their photography project, Capturing Chronic Illness
Louisa Hann reviews Robb Hernández’s Archiving an Epidemic: Art, AIDS, and the Queer Avant-Garde (New York: New York University Press, 2019). The broad and ever-expanding domain of HIV/AIDS arts and performance scholarship has faced
Ash John discusses tensions between representing sexual desire and the moral histories of HIV/AIDS in contemporary AIDS theatre. What we think of now as the AIDS Crisis has become both a cultural and historical
Meet this year’s Editor-in-Chief and our three new Associate Editors!
Benjamin Weil explores the history of blood donor activism in the UK.
Is it possible to address the AIDS pandemic without recourse to metaphor? Yes, argues Mícheál McCann, citing the ‘admirable ordinariness’ of Marie Howe’s 1997 collections of poems ‘What the Living Do’.
What is the role of humour in a genre shaped by loss and mourning? Anna Ferrari explores John Weir’s semi-autobiographical 2006 novel, ‘What I did Wrong’.
In the age of PrEP and U=U, why does queer young adult fiction remain nostalgic for early AIDS narratives? asks Gabriel Duckels, Harding Distinguished Postgraduate Scholar at the Centre for Research in Children’s Literature at the University of Cambridge.
Siân Cook, a Graphic Designer and Senior Lecturer at the London College of Communication (UAL), has been involved with HIV/AIDS organisations and activism for over 25 years. She runs the resource www.hivgraphiccommunication.com, a historic visual archive of promotional campaigns and graphic ephemera.
