Max Edward Perry reviews Charlotte Blease Dr Bot: Why Doctors Can Fail Us — and How AI Could Save Lives (Yale University Press, 2025), reflecting on its arguments in the context of today’s debates about technology and healthcare.
Marie Cuvelier explores how the temporal logics of hospitalisation are subtly resisted in Gareth Greenwell’s 2025 novel Small Rain.
Arya Ray discusses new directions emerging from the one-day international workshop ‘The Senses and Medical Humanities,’ held at Durham University in February 2026.
Megha Manjari Mohanty reviews Art and the Critical Medical Humanities, edited by Fiona Johnstone, Allison Morehead, and Imogen Wiltshire (Bloomsbury Academic, 2026), exploring how the volume positions art as a methodological tool for rethinking medical knowledge and care alongside cultures of illness and health.
In this second piece about their zine, Cervical screening for trans+ autistic people: A tool for self advocacy, researchers Georgia Rivers and Katie Munday reflect on the motives for and process of their collaboration.
Kristin D. Hussey and Hannah Star Rogers draw on Science and Technology Studies (STS) to think through how the ‘lab’ is being employed across the medical humanities.
In the first of our ‘Recalibrating Stigma’ mini-takeover, Oli Williams, Gareth M. Thomas, Amy Chandler, and Tanisha Spratt introduce the concept of anti-stigma.
Órla Meadhbh Murray introduces the Gut Feelings course: a space for people to narrate, explore, and challenge their experience of gut symptoms.
Meenakshi Srihari offers a critical examination of how art addressing antimicrobial resistance draws on familiar war and superhero metaphors, and shapes how we imagine our entanglement with microbes.
Anand Padmasenan critically examines the relationship between colour deficiency, cinema, and disability through his documentary film The Color of Colours.
