Playwright and filmmaker Ash Kotak reviews Martin O’Brien’s performance installation ‘The Last Breath Society (Coughing Coffin)’. Deciding to go to ‘The Last Breath Society (Coughing Coffin)’ at the Institute of Contemporary Arts in London, created
Gill Partington revisits the collective process of indexing evidence at a recent workshop series. Following the Evidence is a seminar series which has been running during the month of July 2021. The events explored
Reiko Kanazawa reflects on a workshop series about Scotland and AIDS crisis during the COVID-19 pandemic. Organising a workshop during a pandemic is daunting. So also is talking about AIDS while each country is
Samuel Ernest reflects on HIV/AIDS and the study of the Catholic Church since the 1980s In Christian theology, HIV/AIDS has been considered primarily within the context of ecclesiology, or the study of the church,
Louisa Hann reviews Robb Hernández’s Archiving an Epidemic: Art, AIDS, and the Queer Avant-Garde (New York: New York University Press, 2019). The broad and ever-expanding domain of HIV/AIDS arts and performance scholarship has faced
Ash John discusses tensions between representing sexual desire and the moral histories of HIV/AIDS in contemporary AIDS theatre. What we think of now as the AIDS Crisis has become both a cultural and historical
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.